Tuesday, March 24, 2015

Karen McCullough - Guest Author

Karen McCullough describes herself as a friendly, smart introvert who is thoughtful and organized. Her writing is intelligent and grounded and covers Mystery, Romance, and Fantasy.

Describe your most productive writing venue. What makes it best for you?

The reclining chair in the corner of my office. It’s quiet and isolated from the chaos in the rest of the house. I can relax with the laptop and let the story flow.

What is your most productive time of the day (and do you need caffeine)?

I actually have two productive times of day – the morning, after I’ve had enough coffee to get my brain going, until lunch time, and then in the evening after the house has quieted down. Since I still have a day job, the morning time isn’t usually available, except on weekends, but I do get a couple of hours in the evening.

How many books do you read in a typical month? Do you read in your genre while you are writing? What’s your most recent “great” book?

I read around a dozen books in any given month. I generally don’t read in the genre I’m currently writing. My most recent great book was First Frost by Sarah Addison Allen.

Name three not well-known authors you would recommend and tell us what you like about their writing.

Jim Butcher – I don’t know if he really counts as not well-known since he is very popular in fantasy circles. His Harry Dresden stories are an amazingly creative combination of fantasy and noir detective story. The feature that sells these books to me is the main character--a wizard detective with a good heart who faces challenges that test him beyond anything he would’ve thought himself capable of dealing with.

Sarah Addison Allen – I love pretty much everything about her stories. They’re contemporary magical realism, incredibly creative, amazingly well thought-out and beautifully written.

Ellis Peters (aka the late Edith Pargeter). Her Brother Cadfael novels were the first historical mysteries I read and I scarfed them up. She was brilliant at bringing her settings to life by including just the right amount of period detail and weaving the historical background into the story itself. Although the political background of 12th century England was a critical part of many of her stories, it was worked into the story so organically I never felt the narrative was weighed down by history lessons.

What is the most challenging area for you as a writer? What are you doing to address the issue?

Plotting. I always have a hard time working out how all the strands of a plot come together, especially since I’m basically a pantser. I tend to start a story with just an idea of what the main problem is, how it begins and a notion of how it will end. Then I have to figure out all the other stuff along the way. I’ve done a lot of reading on how to do plotting and worked out a system that seems to work for me.

What motivates you to write?

I just love doing it. And if I go too long without writing, it feels like my head is going to explode from the pressure of all the characters, events, and bits of dialogue floating around in there, begging for release.

How did you develop the idea for your most recent work?

I’ve just finished the second in my Market Center Mysteries, tentatively titled Wired for Murder. The story takes place a couple of months following the events in A Gift for Murder. Like A Gift for Murder, Wired for Murder takes place during a trade show, but this one is a business technology show. For the Market Center Mysteries I’ve been drawing on my background working for a trade publishing company for a number of years, which meant I attended a number of trade shows and talked with a lot of people in various industries. I realized that those events would make a great setting for mysteries, with its contained environment, short time span, and interesting group of people who tended to know each other and be competitors, friends, enemies and sometimes lovers.

What was the best piece of writing advice you ever received and why was it so valuable?

Elmore Leonard’s line about “Leaving out the parts readers tend to skip,” is still the best piece of writing advice I’ve ever heard. Of course, the trick is to know what those boring parts are. I’m an impatient reader, so I’ve looked at the parts of a book I generally skip over and tried to analyze why there are some books where I never skip a paragraph and (too) many others where I find myself skimming everything after the second or third chapter. That advice goes hand in hand with Donald Maass’ advice to have tension on every page.
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For more information about Karen and her books, 
check out her website http://www.kmccullough.com 
catch her on Facebook https://www.facebook.com/KarenMcCulloughAuthor 
on Twitter https://twitter.com/kgmccullough 
or on Pinterest https://www.pinterest.com/kgmccullough/


Tuesday, March 17, 2015

Nancy Lynn Jarvis - Guest Author

Nancy Lynn Jarvis describes herself as observant, political, opinionated, droll, and resilient. Her writing is fun, light, clever, and involves cozy mysteries.

You have a table for four at your favorite restaurant and can invite any three people, living, dead or fictional. Who are your guests (and why) and where are you eating (and why)?

My guests are Agatha Christie because she introduced me to mysteries and wrote honestly, giving readers all the clues they need to solve the crime which I do as well; Queen Elizabeth I because she was a survivor who fascinates me; and Amy Tan because she is my favorite living author (although I have to tell her that her last book needed cutting) because we are eating Chinese food, my favorite, in San Francisco where she lives.

Describe your most productive writing venue. What makes it best for you?

I’m a method writer who frequently acts out her story as she writes it so my office should be my most productive venue, however, I sort things out best while gardening, driving — yes, I know distracted driving is dangerous — and cooking, especially something like risotto that requires standing and stirring. My mind works in flashes often when I’m not trying to focus too hard.

What is your most productive time of the day (and do you need caffeine)?

Mornings are definitely my best writing time. I don’t know if you count drinking strong black tea as needing caffeine, but my teacup, often filled with cold neglected tea, is my constant companion when I write.

How many books do you read in a typical month? Do you read in your genre while you are writing? What’s your most recent “great” book?

I don’t have a typical reading month. I may not read anything in a month when I’m writing, or I may not sleep much for a month because I’m reading late into the night every night.

My most recent favorite book is “The Scottish Movie.” It begins with Shakespeare stealing the plot of Macbeth and the young cheated playwright causing the play’s curse. The book then switches to modern Hollywood where the Scottish Movie is being made, again with stolen material. The swindled writer works similar, if less deadly, mischief during the making of the movie.

What motivates you to write?

I write because it’s so darned much fun. Since starting this latest adventure, I’ve had people tell me they enjoyed my books, been able to do speaking gigs where I get to talk about them, and best of all, made friends with writers from all over the globe. My husband and I were even able to edit a cookbook called “Cozy Food: 128 Cozy Mystery Writers Share Their Favorite Recipes” because of the wonderful connections I’ve made.

How did you develop the idea for your most recent work?

Like all the mysteries I’ve written, the idea for “The Murder House” landed in my head one day. I was a Realtor for twenty-five years and have many experiences and stories to incorporate into books. My protagonist, Regan McHenry is a Realtor/amateur sleuth who gets dragged into solving mysteries because of clients, associates, and her job.

Name three writers from whom you have drawn inspiration and tell us why.

I already mentioned Agatha Christie. My grandmother encouraged me to read her as a precocious pre-teen reader because I thought Nancy Drew books were boring and silly. Dame Agatha gave me a love of the logic of mysteries … and tea drinking in the English countryside.

Tony Hillerman gets credit for causing me to set my mysteries in Santa Cruz and use a real estate agent for my protagonist. His twenty-one books — reading all of them was one of my reading jags — inspired me to write in a setting as familiar to me as the Big Reservation was to him and to use the culture and jargon of a group of people I knew well as my Navajo equivalent. The slightly different outlook and morality many of my characters hold comes from me.

None of you have heard of my third writer because Charlotte Bridges never finished writing any of her novels. Charlotte was a friend who caught me working on my first mystery and told me I couldn’t just decide to write. She said I had to follow the critical advice of a writing circle, a mentor, and teachers like she always did before I could write a story. Because Charlotte did what she told me to do, she never finished anything she started, which is a shame because she wrote beautifully.

Charlotte was diagnosed with terminal brain cancer shortly after I finished my first book— a book I wrote as an intellectual exercise and never intended to let anyone read — and said her one regret in life was never having seen her name in print. “The Death Contingency” was dedicated to her and published in a hurry so she could have her final wish. That beginning has made all the difference in my life.

What was the best piece of writing advice you ever received and why was it so valuable?

The best advice I received as a writer was, “edit, edit, edit, then get professional editing.” I edit like crazy. Next I have a pro work on the book. Finally I have a professional copy editor go over the book. The difference between where the book seems fine to me and the final product is staggering. FYI, if you find errors in this blog, it’s because I attempted to self-edit it.

You can contact Nancy at nancy@goodreadmysteries.com, read opening chapters at her website http://www.goodreadmysteries.com or find her and her books on Amazon where books are available in standard type, large print, and for e-readers at http://tinyurl.com/6uq4gsx
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A little information about MURDER HOUSE to tweak your interest

Every community has a house that people walk by hurriedly, nervously peeking at it out of the corners of their eyes. Bonny Doon is no exception. A bloody double homicide occurred in the Murder House almost twenty years ago and the killer has eluded capture ever since. Recently the house was inherited and the new owner wants to sell.

The problem is no one wants to buy a house with a reputation and reports that it’s home to ghosts. The seller thinks Realtor Regan McHenry would make a perfect listing agent after all, with her penchant for playing amateur sleuth, she’s no stranger to murder.

This is the perfect mystery to read if you don’t believe in ghosts — and an even better mystery to read if you do.


Tuesday, March 10, 2015

Alina Adams - Guest Author

Alina Adams describes herself as funny, brave, workaholic, busy, and (not surprisingly) tired. Her writing is Plot, plot-twist, plot-point, plotted, plotting (which seems like nirvana to this pantser until I try it!) Without further comments from the host, here are Alina’s answers.

Describe your most productive writing venue. What makes it best for you?

My work commute is about two feet. The table on which my computer sits stands flush against the bottom of my bed (I live in New York City, it’s a miracle I have room in my bedroom for both). It’s my most productive venue because it’s where every day is a race to see if I can get my work done and meet my deadlines before my three kids come home from school. If I traveled anywhere for work, it would take time away from writing. And nothing, not even the prospect of working without a view of the laundry hamper, is worth that.

What makes a great short story?

A point. I know that character is king and poetic language is what all authors should strive for. But if I read a short story that’s all flowery prose and deep, profound internal musing without a point – I feel I’ve wasted my time. A short story is still a story. Tell me a story. Tell me what HAPPENS.

What is your most productive time of the day (and do you need caffeine)?

My mother once said that my husband’s and my worse traits as parents is that we don’t drink coffee. That said, my most productive time of day is first thing in the morning. I get up, I feed the kids, I take them to school, and then I rush back to write. In fact, I even turn my computer on before I leave, so that it can be warmed up and ready to go as soon as I walk through the door.

I’m at my best before noon. After that, anything I write feels like pulling teeth. Of course, days later, when I go back and reread what I wrote when I was flying high versus when I felt like I was being tortured, there is no difference in quality. So, yeah, that’s a little depressing.

How many books do you read in a typical month? Do you read in your genre while you are writing? What’s your most recent “great” book?

Back in the heady days before I had children, I’d go to the library once a week, and check out the maximum allowed – 8 books. Now that the quota has been lifted and patrons can check out as many books as they’d like, I rarely have time to read more than one a week. While I read some work in my genre, the fact is, I prefer reading in a genre that I know I am incapable of writing in. I love thrillers. I love their pace and plotting, even as I know I couldn’t duplicate those myself. I also read a lot of non-fiction.

As a lover of plot and plot twists, I find non-fiction to be much more unpredictable than fiction. Fiction needs to have logic and structure and foreshadowing, which means when you’ve read enough of it, you can pretty much see where the story is going. In real life, stuff just happens. I also love non-fiction that takes common wisdom and things “everybody knows” and actually puts it to the test. My current favorite in that genre is Nurture Shock by Po Bronson and Ashley Merryman. It basically takes everything parents believe to be true about child-rearing, and looks at the hard-science and statistical data behind it.

What is the most challenging area for you as a writer? What are you doing to address the issue?

As I may have subtly intimated above, I love plot. I love stories and being surprised by what happens next. This is true for my reading and my writing. Combine that with my utter lack of interest in fashion and a TV director who once called me a “visual wasteland,” and I have no interest in character and/or place description. When I’m reading, I just skip over it. When I am writing I… just skip over it. I don’t care what my characters are wearing or the make of car they drive. I just want to know what they’re up to. As a result, I try to pick one character trait that’s descriptive of my protagonist’s personality, and then move on to the good parts.

What motivates you to write?

On an episode of “30 Rock,” Tina Fey’s character wailed that she had to be a writer because, “I have no other skills!” This is pretty much true of me, as well. Not only do I not know how to do anything else useful, there are voices in my head that keep talking at me until I write down what they’re saying. So, really, what can I do but write?

How did you develop the idea for your most recent work?

My whole writing career has been a case of “You know, it’s not supposed to happen that way.” My first romance novel was picked and published out of the slush pile. I wrote a non-fiction book about figure skater Sarah Hughes in a year when she wasn’t expected to do much at the Olympics. She ended up winning the gold medal, and my book went into second and third printings. I pitched a novel based on the soap-opera, “As the World Turns,” and it ended up becoming a NYT best-seller.

Then, a few years later, I took a cancelled soap-opera, “Another World,” and revived it on-line as a combination of text and video with readers directing the story. I took what I learned there, and turned my paperback figure-skating mystery novels into enhanced e-books, with professional performance footage alongside the original story. And then I combined everything I’d done up to the point, the interactive fiction, the multimedia enhancements, and decided that I would write my next book live online, and that I would take feedback from readers along the way about where I wanted to story to go next.

At www.AlinaAdams.com/live, readers can literally watch my every key-stroke. They can see my typos, my mistakes, my clunky prose and my badly plotted dead-ends. It’s the exact opposite of what writers are told to do, which is to polish their work until it’s perfect before letting anyone see it. But, what can I say, it sounded like a fun idea, so I went with it. You know, it’s not supposed to happen that way….

What was the best piece of writing advice you ever received and why was it so valuable?

My high-school AP English teacher told me, “Just think about what you want to say, and say it.” I was worried about using fancy words and sounding smart. The end result was paragraphs that went on for pages. With the above, all I had to do was figure out my point. And then write it down. It’s especially useful on days when the myth of writer’s block threatens to rear its head. On those days, I ask myself, “What is this scene about?” I then write it down. I ask myself, “What should happen in this scene?” And I write it down.

One sentence, then two, then three, eventually, you have a whole book.  That’s another reason I decided to launch my live writing project. I wanted to demystify the process. There’s nothing magical or holy or inspired or profound about writing a novel. It’s simply a matter of sitting down in a chair and typing line after line after line about what’s happening.  And then, of course, there’s the editing….

To watch me destroy a 20 year writing career, visit www.AlinaAdams.com/live. To see the books I wrote prior to losing my mind, go to: www.AlinaAdams.com, or find me on Twitter @IamAlinaAdams and Facebook: https://www.facebook.com/pages/Alina-Adams-Media/265239180177087
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Here's a bit of a teaser for the Figure Skating Mysteries:

Who murdered the judge that awarded Olympic Gold to Russia’s dour ice-queen over America’s perky princess? Why did a skating prodigy disappear the night before his biggest event? How is the baby found abandoned at the ice-rink connected to the dead girl swinging from the rafters (and who’s its father)? What secret is the Russian defector hiding and did it cause his death? And who killed the world-famous coach? His much younger wife? His bitter daughter? The skater he nearly drove to suicide – or the one he guided to Olympic Gold? Learn the answer to all of the above in the Figure Skating Mystery series (5 Books in 1) at: http://www.amazon.com/Figure-Skating-Mystery-Series-Books-ebook/dp/B00HUZ41FI/ref=zg_bs_159911011_32


Wednesday, March 4, 2015

Kindle Scout – a Winner’s Report

As I write this blog, I do not know if Amazon will accept Ant Farm for the Kindle Scout program. Its nomination period ended Thursday, February 26. I’ve noticed that those selected typically show up on the approved list two or three business days after the nomination period closed.

If that guess is correct, Kindle Press will inform me on Monday or maybe Tuesday.

Kindle Press released the first ten books of the program on March 3, 2015, following traditional publishers in picking a Tuesday publication date. Of the first ten, two are Science Fiction, two are straight Romance. One is labeled as Mystery, four are called Thrillers, and one is a combination Mystery/Romance. Two are by authors I know—how cool is that?

Preordering provides our first view of how Amazon will price these ebooks. The books range in length from a short 178 equivalent print pages to a substantial 436. Prices range from $2.99 to $3.99. Here is the page range associated with each price. Whether something other than length went into Kindle Scout’s pricing decision, we’ll be able to figure out later as they publish more titles. 
  • $2.99 ranged from 178-205 pages
  • $3.49 ranged from 250-329 pages
  • $3.99 ranged from 338-436 pages
Also interesting to note, on the release date for the first books everyone who made a nomination in the Kindle Scout program received an email with a 50% off coupon for a Kindle Press book. The coupon expires May 2, 2015.

How does Amazon select which books to publish? They have been coy about how much the nomination process affects their decision and how much is based on their definition of quality. Their FAQs has this answer, “Nominations give us an idea of which books readers think are great; the rest is up to the Kindle Scout team who then reviews books for potential publication.”

As the program matures I suspect what they already have in the hopper will play a role as well as how similar stories have sold. Amazon knows how to use data to shape markets. However, sometimes their reporting of statistics leaves me scratching my head.

According to their press release, “Scouts,” as Amazon calls those who make nominations under their program, average reading nine excerpts before making a nomination. That is hard for me to believe. I know many of the people who nominated Ant Farm did so by following a link I sent them. For every one of those who clicked my link, read the sample chapters (or not) and nominated the book, some other (average) soul had to read seventeen excerpts before finding one worthy of nomination. Really?

The press release also indicates the average number of days in which a Kindle Scout author receives a publishing decision after submitting a book is 31 days. Since it usually takes a couple of days for Amazon to decide to allow a book into the nomination process, and the nomination process itself last 30 days, that would mean authors on average know whether they will be published before the nomination process is over. That math does not work.

I’m thinking someone is playing a bit fast and loose with data (or is arithmetically challenged). However, the quick turnaround between the completion of a book’s nomination period and when the author hears suggests that the humans behind the scenes are doing some work while the book is still in the nomination process.

My guess (because of the timing, but mostly because it is how I would do it) is that before a book is accepted for nomination someone checks to make sure the writing meets some minimal standard and is complete. Then up it goes. If during the first three weeks or so the book continues to gather support, then one or more humans read the entire manuscript. At the end of the nomination period the decision makers will know not only how many nomination votes a book received, but would have access to other statistics as well, such as

  • How many of those votes came as a result of someone directly accessing the novel’s page? 
  • Of those, how many read the excerpt before nominating the book?
  •  How many nominations came from those who read other books’ excerpts before selecting this one?
  •  How many who nominated this book went on to read other books’ excerpts?
  •  How many people read the excerpt and chose not to nominate the book?
  •  How long did people read the excerpt before moving off the page (or choosing to nominate it)?

In other words, Amazon has lots of information to evaluate the quality of a book’s nomination. Do they use it? I sure would. So what does that mean if you are an author interested in the program?

Keeping in mind that we really do not know how Amazon makes its decisions, I suggest authors do the following:

Try to maintain your book as “Hot.” Of course this presumably means that people are voting for it, a good thing of itself, but it also keeps it in front of people. Plus, when making a decision of what to nominate, we humans like to know we are not alone. Labeling a book hot makes it easier for someone to click the blue “Nominate this book” button.

This means you need to start out strong, but also spread out your asks over the thirty-day nomination period. Kindle Scout gives you a couple of days between notifying you that your book will be eligible for nomination and the day it is first available. Use those days to plan out your campaign.

Make sure your website has a nominate link prominently displayed.

Go through your personal email list and determine who you know well enough to ask that they nominate your book.

Consider your social networks: writing groups, the stamp-collecting forum you belong to, church, alumni associations, etc. Spread out informing them through your campaign.

Use social media to generate interest without falling into the trap of everything being about me, Me ME! There is a fine line between being too bashful to present your request for people to check out your three chapters and nominate your book and boring people so they ignore you. I chose to post on Facebook four times: The first day, about a week into the program, a week remaining in the program and the last day for nominations.

However, during the thirty days I also wrote an informative blog for readers and authors about the Kindle Scout program that had a small mention of my entry and another blog for authors titled “Six Rules of Author Self-Promotion” that also mentioned my Kindle Scout participation. My Facebook account automatically notes when my new blogs appear, so those were two more related posts.

Special are those people who will spread the word for you. Those authors with street teams could employ them. Author Alan Orloff whose novel Running From the Past was one of the very first Kindle Scout selections, offered a free story to anyone who nominated his book and shared his posts on Facebook.

You are competing against other authors, but really, aren’t we in this together? If you know other authors whose books are in the nomination process the same time as yours, figure out ways to support each other. I’ve even become online correspondents with three authors who I only learned about because their books were interesting, and we reached out to each other in mutual support.

Thirty days is a long time, more a marathon than a sprint. Carve out time each day to implement your plan and when people do support you, make sure to thank them.

Arriving in my inbox at 12:17 a.m. on Monday morning while I was sleeping was an email from Kindle Press notifying me that they selected Ant Farm for publication. Notifications to people who had nominated Ant Farm started going out a minute later.

I suspect there was a touch of automation involved. Perhaps the last thing someone did at the office on Friday was tell the computer to send out the word once Monday arrived.

No matter, I spent that day doing the Snoopy dance.

~ Jim

A version of this post originally appeared on Writers Who Kill 3/1/15.


Tuesday, March 3, 2015

Judy Alter - Guest Author

Judy Alter says of herself that she is a mother, author, hostess, alternative, and creative. Her writing she describes as varied, cozy, storytelling, lifelong, and a calling. [JMJ note: I am really struck by the adjective alternative -- so evocative]. Without further intrusion from me, here is more about Judy in her words.
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You have a table for four at your favorite restaurant and can invite any three people, living, dead or fictional. Who are your guests (and why) and where are you eating (and why)?

My dinner table for four would include Eleanor Roosevelt, Barack Obama, Wallace Stegner and myself. I admire both Roosevelt and Obama for their care about the world and other people, and Stegner is one of the western writers I most admire. I think the conversation would range over the state of the world and its population as well as literature. Stegner’s work, particularly Angle of Repose, shows a great understanding of the complexity of human life. We would eat in my home, and I would cook them one of my better meals—something fancy like Coquille St. Jacques. Served with a really fine wine.

Describe your most productive writing venue. What makes it best for you?

My most productive writing venue is my home office, with windows all around and French doors opening to the living room. On an at-home work day, I spend almost the entire day there, even eating meals at my desk. My dog sleeps companionably in a chair next to my desk. It’s comfortable, quiet and familiar. I’m at home in this room, with its wall of bookcases. Never could go to a Starbucks to write. Too many distractions.

What is your most productive time of the day (and do you need caffeine)?

My most productive time of day for writing is the evening. In the mornings, I do email, Facebook, and other assorted chores, some of which come from being active in an online writers’ group and others having to do with the neighborhood publication I edit. In the afternoons, I keep my eight-year-old grandson and do third-grade homework. But in the evenings, when everyone has gone home, I can settle down and write a chunk of copy. No caffeine, but a little wine and chocolate is nice.

How many books do you read in a typical month? Do you read in your genre while you are writing? What’s your most recent “great” book?

Typically I do not read nearly as much as I‘d like—maybe three books a month. They are too rarely for pure enjoyment. Some may be books I’ve promised to review; others may be background for a project. Some, like the just-finished The Mockingbird Next Door, have just plain caught my curiosity. But I sometimes sneak time out to read cozy mysteries—yes, even when I’m in the midst of one myself. I learn things from other writers’ mysteries, and reading doesn’t distract me from my own work.

What is the most challenging area for you as a writer? What are you doing to address the issue?

The most challenging part of writing mysteries for me is the plot. I get lost in the soggy middle early on and wonder how I’m ever going to stretch this out to an acceptable length. But I tell myself I’ve done it eight times before, and this will be no different from any other times. When I wrote historical biographical fiction, one of my sons said I did that because the plot was a given and I’m so *&^%poor at making up my own plots. I hope I’ve moved beyond that.

What motivates you to write?

When I was twelve, I wrote a series of short stories, and I’ve been writing ever since. I cannot imagine not writing. It’s the gift given to me—I can’t work things out in math to save my soul, but I can puzzle them out in words and make them come out right. I don’t write for money, though the bit I’ve made is a nice bonus. I write because that’s who I am. My twenty-year stint as director of an academic press was really an extension of my writing—I worked with words, I met wonderful authors, and all the time I kept writing my own books. With diverse subject matter and approaches, I’ve probably published about seventy-five books—haven’t stopped to count lately.

What motivates your protagonist (if not a series, then use the protagonist of your most recent novel)? What influenced who they are today?

For years, I wrote about women in the American West—their motivation was simply to survive and endure—from Libbie Bacon Custer to Jessie Benton Frémont. Now that I’m writing mysteries, my amateur female sleuths are motivated to right wrongs, protect people in danger, and see justice served. They are basically nurturers who stumble into mysteries and are consumed by curiosity and a desire to find out the truth before more people are murdered.

What was the best piece of writing advice you ever received and why was it so valuable?

Maybe ten years ago Susan Wittig Albert spoke at the TCU campus, where I was press director. We chatted, and I mentioned I was trying to write a mystery. She said quite directly, “You need to join Sisters in Crime.” I did, and then the Guppies group, and learned amazing things about the world of mystery writing, things that if I hadn’t learned would have left me stumbling in the darkness. I am forever grateful to her.
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For more information about Judy books, follow her at Web page: http://www.judyalter.com
Twitter: @judyalter

The Perfect Coed

Susan Hogan is smart, pretty—and prickly. There was no other word for it. She is prickly with Jake Phillips and her Aunt Jenny, the two people who love her most. She is prickly with some of her academic colleagues in the English department at Oak Grove University. When a coed’s body is found in her car and she is suspected of murder, Susan gets even more defensive.

But when someone begins to stalk and threaten her—trying to run her down, killing the plants on her deck, causing a moped wreck that breaks her ankle—prickly mixes with fear. Susan decides she has to find the killer to save her reputation—and her life. What she suspects she’s found on a quiet campus in Texas is so bizarre Jake doesn’t believe her. Until she’s almost killed.

The death of one coed unravels a tale of greed, lust, and obsession.