Please welcome fellow Guppy Chapter of Sisters in Crime member Nancy G. West, who says: In my suspense novel, Nine Days to Evil, Aggie Mundeen appeared in my protagonist’s class, capturing her attention and mine. Aggie was funny, smart and insisted I write about her. Smart, But Dead, Aggie Mundeen Mystery #3, was released November 2015.
You have an all-expense-paid long weekend to spend with three guests. The Starship Enterprise has agreed to beam you to the place of your choosing, so travel time is not a consideration. Who are your guests (and why) and where are you staying (and why)?
Enterprise whisks us to the Hawaiian Island of Maui. For the flight, we’re in comfortable writing clothes, drinking Mai Tais. Dreamy Hawaiian music permeates the ship. My companions are William Shakespeare, Christopher Vogler and Alexandra Sokoloff. The other two question Shakespeare about his approach to developing characters and story lines and creating suspense and humor.
Christopher, author of The Writers Journey, tries to determine if the Bard, while writing Chris’ favorite plays, consciously pursued elements Chris deems necessary to a memorable story, or if these elements sprang naturally from the playwright’s imagination.
Alexandra Sokoloff, author of Screenwriting Tips for Authors and award-winning novels, probes the Bard about whether he envisioned each scene in a play before committing it to paper. Nobody asks Shakespeare about his use and coinage of exquisite language; we know only he possesses this gift.
After I get through blubbering thanks to each one, I interject a timid question now and then, furiously taking notes. I’m too embarrassed to ask if I can tape our discussions. By the time we arrive, we’re old friends talking about writing. I think I’ve gone to Heaven. I’m euphoric at the thought there are even more avenues we haven’t pursued.
What is your most recent excellent read (book, short story or essay) and why?
There are three for their poignancy, story structure, research and insights into human character:
· All The Light We Cannot See by Anthony Doerr
· The Nightingale by Kristin Hannah
· The Boys in the Boat by Daniel James Brown
Are you a plotter, pantser or something in between and why?
I use the three-act structure with an eye toward creating an important scene at the end of Act I, at the mid-point of Act II, and at the end of Act II before the Act III climax. That’s the plotter aspect, but if I find something doesn’t work where I put it, I move it. I pantser around writing scenes and dialogue that pop in my mind; I’ll think later about exactly where to place them and what to add. If a new character grabs my attention, I never shut him/her out. I follow them around and watch what they do.
When you start reading a book do you always finish it? If not, what causes you to permanently put a book down?
I used to finish every book. Not finishing was a sin. Now, I give the author 50-75 pages to capture me with a reason I should go on. If they don’t, I go for the TBR pile, guilt free.
Do you read reviews of your books? Why or why not?
I always read them. Do readers “get” what I tried to do? If not, how can I improve the next book?
When you compare your first draft to your final draft, do you net add words or subtract words? In general, what is it that you add or subtract between first and final draft?
I might add sensory details, suspense, character motivation, or fine points illustrating a relationship; sometimes, I even add a subplot. If I cut something, it’s usually a description of researched elements that support the plot but may give the reader more detail than he/she wants.
How did you develop the idea for your most recent work?
Aggie Mundeen, single, pushing forty and dreading middle-age, writes the column, “Stay Young with Aggie.” Having moved from Chicago to San Antonio, she has to shape up before anyone discovers who writes the column. I like to put Aggie in a place where unique characters are apt to surface: I know Aggie’s interactions with them will be fun to watch.
In Fit To Be Dead, she works on physical improvement at the gym. In Dang Near Dead, she vacations at a dude ranch to advise readers how to stay young and fresh in summer. When she hears scientists are on the verge of altering genes to delay aging, she blasts off to the university to learn more in Smart, But Dead.
What language error, when you hear or see it, grates on you like the screech of fingernails on a chalkboard?
“I’m done.” In my view, properly cooked steaks are done. People are finished.
What is a piece of writing advice you think is worth sharing?
Writers are unique, but similar. Once you realize that, you know you’re not alone and will never give up. For details, see “Five Ways Writers are Weird: A Confession:” http://nancygwest.com/five-ways-writers-are-weird-a-confession/ (Appeared in FreshFiction, September 28, 2015)
To find more information about Nancy G. West and her writing, go to her website: www.nancygwest.com. At Events, find links to reviews, articles and other goodies.